- Producer – Faith No More, Matt Wallace Vocals – Mike Patton Written-By – Faith No More (tracks: 1 to 12), John Barry (tracks: 13).
- Album 1992 31 Songs.
Song “As The Worm Turns” outtake from Angel Dust sessions (1992) Evidence Anyone who likes Faith No More or breathes oxygen knows that the band’s sound pretty much erupted when Mike Patton replaced Chuck Mosley as frontman.
Faith No More – Discography (1985 – 2015)
EAC Rip | 97x CD | FLAC Image + Cue + Log | Full Scans Included
Total Size: 23.8 GB | 3% RAR Recovery
STUDIO ALBUMS | LIVE ALBUMS | COMPILATIONS | BOX SET | SINGLES
Label: Various | Genre: Alternative Rock
With their fusion of heavy metal, funk, hip-hop, and progressive rock, Faith No More have earned a substantial cult following. By the time they recorded their first album in 1985, the band had already had a string of lead vocalists, including Courtney Love; their debut, We Care a Lot, featured Chuck Mosley’s abrasive vocals but was driven by Jim Martin’s metallic guitar. Faith No More’s next album, 1987’s Introduce Yourself, was a more cohesive and impressive effort; for the first time, the rap and metal elements didn’t sound like they were fighting each other . –Allmusic
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14/11/2018 – ADDED TO:
Angel Dust Faith No More Zip File Converter
- 1. STUDIO
- 2. LIVE
1985. We Care A Lot (2016, Koolarrow Rec., KACA035CD, USA)
1993. Angel Dust (1993, Polydor K.K., POCD-1111, Japan)
1995. King For A Day, Fool For A Lifetime (2016, Rhino, R2-5570322, USA, 2CD)
1997. Album Of The Year (2016, Rhino, R2-557031, USA, 2CD)
2015. Sol Invictus (2015, Hostess, RRIPCOO2J, Japan) Previously posted now it’s merged to this post
2013. Aggressive Collision (2013, Abyss, FMA-13121509, Russia, 2CD)
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1. STUDIO
1985. We Care A Lot (1996, London, 828 805-2, France)
1985. We Care A Lot (1996, Polydor K.K., POCD-1236, Japan)
1985. We Care A Lot (2016, Koolarrow Rec., KACA035CD, USA)
1987. Introduce Yourself (1987, Slash-Rhino, R2 79940, USA)
1989. The Real Thing (1989, Polydor K.K., POOL 20109, Japan)
1989. The Real Thing (1989, Slash, 3984 28204 2, Germany)
1989. The Real Thing (1989, Slash, W2 25878, Canada)
1989. The Real Thing (2015, Slash-Rhino, 0825646120970, Germany, 2CD)
1993. Angel Dust (1993, Polydor K.K., POCD-1111, Japan)
1993. Angel Dust (1993, Slash-Liberation, D30953, Australia, 2CD)
1993. Angel Dust (2015, Slash-Rhino, 0825646120963, Germany, 2CD)
1995. King For A Day, Fool For A Lifetime (1995, Polydor K.K., POCD-1165, Japan)
1995. King For A Day, Fool For A Lifetime (1995, Slash, 2-45723-A, USA)
1995. King For A Day, Fool For A Lifetime (1995, Slash-Liberation, TVD93421, Australia, 2CD)
1995. King For A Day, Fool For A Lifetime (1995, Slash-Reprise, 9 45723-2, USA)
1995. King For A Day, Fool For A Lifetime (2016, Rhino, R2-5570322, USA, 2CD)
1997. Album Of The Year (1997, Polydor K.K., POCD-1251, Japan)
1997. Album Of The Year (1997, Slash, 2-46629-AB, USA)
1997. Album Of The Year (1997, Slash, 828 902-2, UK, 2CD)
1997. Album Of The Year (1997, Slash, 828 960-2, Germany)
1997. Album Of The Year (1997, Slash-Reprise, 9 46629-2, USA)
1997. Album Of The Year (2016, Rhino, R2-557031, USA, 2CD)
2015. Sol Invictus (2015, Hostess, RRIPCOO2J, Japan)
2. LIVE
1991. Live At The Brixton Academy (1991, Polydor K.K., POCD-1043, Japan)
1991. Live At The Brixton Academy (1991, Slash, 828 238-2, Germany)
1991. Live At The Brixton Academy (1991, Slash, 828 238-2, UK)
Angel Dust Faith No More Zip Hoodie
2013. Aggressive Collision (2013, Abyss, FMA-13121509, Russia, 2CD)
3. COMPILATION
Angel Dust Faith No More Zip Code
1998. Who Cares A Lot. The Greatest Hits (1998, Motor Music GmbH, CD-R, Germany)
1998. Who Cares A Lot. The Greatest Hits (1998, Polydor K.K., POCD-1283, Japan)
1998. Who Cares A Lot. The Greatest Hits (1998, Slash-London, 556 057 2, France, 2CD)
2003. This Is It. The Best Of Faith No More (2003, Slash-Reprise-Rhino, 8122-76099-2, Germany)
2005. The Platinum Collection (2005, Warner Platinum, 5101-11734-2, UK)
2009. The Very Best Definitive Ultimate Greatest Hits Collection (2009, Slash, 5186544012, UK, 2CD)
4. BOX SET
2011. Original Album Series(2011, Warner Music, 5052498518029, EU, 5CD)
5. SINGLES
1989. Epic (1989, Polydor K.K., POCD-1021, Japan)
1989. Epic (1989, Slash, LASD21, UK)
1989. Epic (1989, Slash, LASD26, UK)
1989. Epic, Falling To Pieces (1989, Slash, 9 18891-2, USA)
1989. Epic. What Is It (1989, Slash, PRO-CD-3913, USA)
1989. Falling To Pieces (1989, Polydor K.K., POCD-1044, Japan)
1989. Falling To Pieces (1989, Slash, PRO-CD-4409, USA)
1989. From Out Of Nowhere (1989, London, 886 989-2, W.Germany)
1990. Faith No More Sampler (1990, Slash-Reprise, PR-CD-5523, USA)
1990. Woodpecker From Mars (1990, Slash, 1526, USA)
1992. A Small Victory (1992, Slash, 869 823-2, UK)
1992. A Small Victory (1992, Slash-London, INT- 869 823-2, UK)
1992. A Small Victory (1992, Slash-London, INT- 869 825-2, Germany)
1992. A Small Victory. Remixed by Youth (1992, Slash-London, 869 885-2, UK)
1992. Everything’s Ruined (1992, Slash-London, 869 969-2, UK, 2CD)
1992. Everything’s Ruined (1992, Slash-London, 869 973-2, Germany)
1992. I’m Easy, Be Aggressive (1992, Slash-London, INT- 857 035-2, UK, 2CD)
1992. I’m Easy, Be Aggressive (1992, Slash-London, INT- 857 045-2, Germany)
1992. I’m Easy (1992, Slash, 857 044-2, France)
1992. Midlife Crisis (1992, Slash, FNMCD 1, UK)
1992. Midlife Crisis (1992, Slash-London, INT- 869 779-2, Germany)
1992. Midlife Crisis (1992, Slash-London, INT- 869 779-2, UK)
1992. Midlife Crisis (1992, Slash-Reprise, PRO-CD-5498, USA)
1993. Easy (1993, London, POCD-1112, Japan)
1993. Judgment Night, Another Body Murdered (1993, Sony, EPC 659794 2, Austria)
1995. 14 Faith No More (1995, Foundations, Radioshow, USA)
1995. 32 Cents For A Postage Stamp! (1995, Slash, PRO-CD-7496-R, USA)
1995. Digging The Grave (1995, Slash, 857 985-2, France)
1995. Digging The Grave (1995, Slash-London, INT- 857 985-2, UK)
1995. Digging The Grave (1995, Slash-London, INT- 857 987-2, Germany)
1995. Digging The Grave (1995, Slash-Reprise, PRO-CD-7425, USA)
1995. Evidence (1995, Slash, PRO-CD-7572, USA)
1995. Evidence (1995, Slash-London, INT- 850 107-2, Germany)
1995. King For A Day Album Sampler (1995, Slash, London, FNMCD1, UK)
1995. Ricochet (1995, Slash, PRO-CD-7576, USA)
1995. Ricochet (1995, Slash-London, 850 105-2, UK)
1997. ‘Last Cup Of Sorrow (1997, Slash-London, 8509732, Australia)
1997. ‘Last Cup Of Sorrow (1997, Slash-London, INT- 850 973-2, Germany)
1997. ‘Last Cup Of Sorrow (1997, Slash-London, LSCDJ 62, UK)
1997. Ashes To Ashes (1997, London, Ashes1, UK)
1997. Ashes To Ashes (1997, Slash-London, 850911-2, Australia)
1997. Ashes To Ashes (1997, Slash-London, INT- 850 911-2, Germany)
1997. This Town Ain’t Big Enough For Both Of Us (1997, RR 2251-3, EU)
1997. This Town Ain’t Big Enough For Both Of Us (1997, RR 2251-9, EU)
1998. We Care A Lot. I Started A Joke (1998, Slash-London, 570347-2, Germany)
1998. We Care A Lot. I Started A Joke (1998, Slash-London, LACDP65, UK)
2015. Superhero (2015, Reclamation Rec., Promo CD-R)
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Mention three small words to bands like the Deftones and Linkin Bizkit, and you’ll see them turn pale, act like sulky teenagers and mumble something like we’re not worthy. Those words? Faith. No. More. And Angel Dust was their masterpiece.
Faith No More Angel Dust Zip
Angel Dust shows us exactly what rock music is capable of. After listening to this, Nevermind and Appetite For Destruction are just pop records with big loud guitars and dirty lyrics.
It’s a thing of both extraordinary beauty and gruesome confrontation, nowhere is this more obvious than the bipolar cover art : on one side - a swan arising from a lake; on the other - a decapitated cows head hanging from a hook in an abattoir. Beauty and cruelty are the two driving forces in their music. And it is never more obvious than in “Malpractice” - four minutes of cacophonous riffling that suddenly but seamlessly transforms into a lengthy recreation of the Kronos Quartet performing Shostakovich.
_Angel Dust_ shows up most rock bands for the plodding visionless dinosaurs they are : disparate sections of music shift tempos and styles within the same song - sounding like several different bands fighting it out in a confined space, whilst guitars spew forth great big crunchy slabs of riffola and roaring vocals fight for your attention like screaming hyperactive children. You need this record in your life.
Vocals veer between a soft croon and guttural screaming. Lyrics range from the surreal and disjointed (“Land Of Sunshine”) to paranoid evocative urban gangster fantasies (“Crack Hitler”). Guitars pick out gentle country & western touches on “RV”, before grinding anything delicate into rubble dust on the following, colossal “Smaller And Smaller.”
Further proof of the heart of the album is a throwaway four bar interlude in the middle of “Jizzlobber”, but those four bars are enough for bands like Limp Park to use as their integral blueprint : great big menacing guitars, sleazy rhythms and growled vocals. And Faith No More throw that idea away instead of building a career on it.
It’s also the only album in living memory that had a chart hit about gay oral fetishism, complete with a chorus line of cheerleaders sweetly singing “I swallow, I swallow, I swallow”. Genius.
_Angel Dust_ is a haemorrhage of ideas that, at the time, stuck out like a sore thumb: whilst others preened and whined, Faith No More simply followed their own path. At the time it sounded like nobody else in the world. Now everybody wants to sound like them.
For music this brilliant, there are no words. Angel Dust is one of the best rock albums ever made. It takes your every preconception about rock music, tears it up in front of your eyes and opens up the can of Rock Riffs to serve you a feast. Buy it. *You will not be disappointed. *