Echunter53

The manga ended in a deeply moving and intelligent way. From the beginning to end, the main character represents cultural HERO of the enlightened age, Robinson Crusoe on his (mental) island. The main character's end and beginning are the same, but with a very meaningful difference emerged in between: all the other people from the city are gone to the collective world of ZQN. In a way, all the other people already were like zombies to him. The collective mind will keep on as one, without sacrificing two-for-the-sake-of-one, in contrary to what the main character keeps on doing. The manga sets the deep question about the meaning of civilization and culture, of individual and collective mind. The return-to-nature ending is a way of ending civilization and culture, in the collective consciousness which could be seen as the perfection of collective life. In the end the civilized-cultural technical individual keeps on doing his mechanical tasks: farming land, making weapons and killing animals to please his hunger: to sacrifice nature to himself. He only communicates with lifeless monuments and treats them like living beings, as does the civilized man of letters who keeps to himself and his books. Mechanical person is a schitzophreniac, who has lost his touch with other people and nature, and keeps on sacrificing it. In the end he is a punished by ZQN by abandoning him to survive on his own, because he's not worth rescuing from himself. The main character represents pessimism against mechanico-individual human culture, while the ZQN-collective represents optimism for the collectivo-natural animalism. This doesn't mean the manga is purely opting for the ZQN, since there is also the third medial option of the islanders: close-to-nature small community living, rising children, creating art and fishing with simple tools. This represents another kind of island-living, as opposed to the robinsonal city-heroism. The Robinson-Hero of mechanico-technical enlightenment is shown to be cut off from nature and communal ties to his fellow humans: he pointedly keeps on living in his city-wasteland, because his city originally already was a wasteland in his schitzophrenical individualism. The real being of this robinsonal hero is and always will be city-wasteland, not an island: he is an island in himself, and so his city already always was wasteland as the place void of other people, a deserted city-man in his habitat with his fields, guns, lifeless monuments and technical ego.
... Last updated on June 3rd, 2018, 9:30pm